Quilting begins on #4

February 8th, 2010

Today I began the quilting on my new piece. Because this quilt has a lot of empty background space, I get to experiment with new ideas about how to fill it up. What fun!  I’ve come up with one that I think is a winner.  I like the idea of adding these “invisible” circles to the background. . . . Anybody out there want to let me know what you think of this? I’d love to hear any comments!  Of course, it’s difficult to know how this will look when the entire background is filled. But then again, I’ll have the pleasure of quilting lots and lots of empty circles in the meantime. I enjoy doing this “free motion blanket stitch” so much!

Here’s another photo, showing the leaves on this new piece . . .

The colors are pretty far off on both of these photos. That’s because I had to use the flash to take them. I got carried away and worked right through dusk — before I knew it, I looked up from my sewing machine and saw reflection of the sun setting in the building across the street.

Now it’s time to stop for dinner. More tomorrow!

Venetian Lace is subversive — who knew?

February 4th, 2010

Subversive Stitchers: Women Armed With Needles is the extremely cool blog of Dawn Goldsmith.  I’m so honored that Dawn has featured my quilt “Venetian Lace #1″ on the sidebar of her blog.  She had such nice things to say about the series, too. Thank you, Dawn!

Do check out her blog, which she describes as “a writer’s look at the quilting and quilt art community and anything else fabric”.  She features frequent guest bloggers from the quilting world. (She’s asked me to be one, and I really have to get to work on that!) Dawn has a knack for collecting interesting and fun information and I adore the title of her blog — how great is “women armed with needles” I ask you? What an image it conjures in my mind!

The next in the series

February 3rd, 2010

I spent all day yesterday in the studio working on the fourth quilt in my Venetian Lace series. I debated with myself about whether I wanted to put an in-process picture on the blog, unsure about whether I wanted to share a photo before the top is completed . . . .  And, well, I decided to just go ahead and post it. Really, why not?

I’m not done yet. The leaves are fused, but the circles are only pinned for now. And, I want to add more circles. Perhaps they will cascade down and out and off the edges of the quilt . . . perhaps not. I’m not sure yet. I hope to be able to spend some time in the studio tomorrow working on it. Or maybe I won’t wait until tomorrow. I’m so excited about it that I may just work on it all night long — who needs to sleep, right? Oh, if only that was true!

The background fabric  is a one and a half yard piece that I dyed a during a marathon dying session that Susan Schrott and I had last summer. I think it’s really beautiful, and I feel as if the “lace” on top of it just makes it sing! I love the transitions from red to brown with a little bit of grey mixed in. The colors, at least on my monitor, don’t seem very true, but then again, that may be the really lousy lighting in my studio. I really have to get around to doing something about that. It’s great when the sun is shining, but on a cloudy day, or at night, I can’t really see color on my design wall very well. I do have good lighting at my machine, thank goodness. I can’t imagine not having good lighting when I’m doing the free-motion blanket stitching. Whew, that would be terrible! My good old floor Ott light is aim-able (is that a word?) and it works great for the detail work that I do at the machine.

Well, stay tuned to find out if I really do stay up all night!

Some new work, photographed

January 26th, 2010

I’m so happy to be able to share photos of three of the quilts in my new series, Venetian Lace. These photos were taken by D. James Dee, The Soho Photographer. He’s just wonderful — so careful, so precise.  I thoroughly enjoyed my time in his studio with him and his very sweet assistant, Joy. Here are the photos:

The first is VENETIAN LACE #1. It measures 38″ high x 34″ wide. It was completed in November of 2009.

Here’s the detail photo:

This next photo is of the second quilt in the series, VENETIAN LACE #2. It’s smaller, measuring 31″ high x 15″ wide. There’s no piecing of the background in this quilt. It’s just applique, and applique, and applique…. I just LOVED working on it!!!

And the detail shot:

Finally, the third in the series, VENETIAN LACE #3. It measures 40″ high by 21″ wide. The dark fabric is hand-painted, the gold fabric is a shiny, fancy thing that I had floating around in the stash for WAY too long!

And the detail, which really shows the stitching well, I think:

Whew! I’ve finally finished adding these quilts to the portfolio on my website. The rest of the morning was spent writing an artist statement for the series. I worked so very hard on it. I deleted, I added, then I deleted some more, then I didn’t like it at all. Then I started from scratch again, only to throw up my hands in despair. It’s so hard to write an artist statement and not sound pompous! Writing is such a different skill than quilting — it’s so hard to translate the feelings that come when quilting. At least it is for me!  Finally, I just put the computer aside, went out for a nice long walk with the dog, and began again with a nice cup of tea and a fresh outlook. I wrote from my heart, and I’m really happy with what I ended up with:

Each day, on the small island of Burano, not far from Venice, a group of lacemakers gather in the Lace Museum to create merletto, the famous Italian lace known throughout the world for its intricate beauty. I joined them for a time to learn their art. As we worked, we conversed in my long-idle native language. Among many other topics, we discussed the great joy of creating beauty in the company of friends. This is a series of quilts about the intricacies of lace and friendship. When broken down to their essence, like most things, these concepts become quite simple to understand.

The next time I’m struggling to write, I have to remember to just let it come naturally out of my heart. It hurts so much less that way!  Well, now that all that work is done, I can get back to the studio and do something really FUN, like quilting! Yay!

Less quilting, more thinking and reading

January 13th, 2010

Well, the apartment is too small for me to work in the “studio” (a.k.a. second bedroom) while the boy-child is home on his winter break. So that means I’ve got plenty of time for reading, hand-work, beading, knitting, crochet and thinking. Ah, thinking. Sometimes a less-than-pleasant activity, thinking deeply can be more like cleaning the bathroom than imagining a visit to the Bahamas. In that vein, my friend Lynn (who has no blog, so I can’t link to her) recommended that I read a book by Pema Chodron titled When Things Fall Apart: Heart Advice for Difficult Times.  So, I took it out of the library.

I’ve been enjoying it slowly, reading a little bit every night. That’s very different from the way I usually read, which is actually a lot more like devouring than reading — I’m a fast, fast reader. But this book is so full of good and practical advice that it makes me want to slow down and savour every chapter. I mentioned to Lynn the other day that I’d begun reading it, and she asked me if I was enjoying it. I told her, truthfully, that I was, mostly because even though the author is a Buddhist nun, and I had been expecting lots of existential buddhist-y stuff, what I found instead was lots of practical advice that I could easily apply to my everyday life. Good stuff.

Last night I read chapter ten, in which the author discusses the three truths of our existence: impermanence, suffering and egolessness. She writes that these three truths should be celebrated. It was my very favorite chapter so far. First, impermanence. Whoa, that’s a loaded one. Nobody likes to think about the fact that we’re not permanent. The very fact that we are human means that each of us will have an end. And really, who wants to celebrate that? This is what Pema Chodron has to say about it:

People have no respect for impermanence. We take no delight in it; in fact, we despair of it. We regard it as pain. We try to resist it by making things that will last–forever, we say–things that we don’t have to wash, things that we don’t have to iron. Somehow, in the process of trying to deny that things are always changing, we lose our sense of the sacredness of life. We tend to forget that we are part of the natural scheme of things.

I find it so comforting, in a weird sort of way, to realize that nothing we make is going to last forever. It takes a lot of the angst out of it for me, in a way I can’t really explain.

The second truth discussed in the chapter is suffering. In her writing about suffering, the author says:

Inspiration and wretchedness are inseparable. We always want to get rid of misery rather than see how it works together with joy. The point isn’t to cultivate one thing as opposed to another, but to relate properly to where we are. With only inspiration, we become arrogant. With only wretchedness, we lose our vision. Feeling inspired cheers us up, makes us realize how vast and wonderful our world is. Feeling wretched humbles us. The gloriousness of our inspiration connects us with the sacredness of the world. But when the tables are turned and we feel wretched, that softens us up. . . . It becomes the ground for understanding others.

I loved this! It makes so much sense to me that arrogance is the end result of too much inspiration with not enough pain to go along with it. I have to try to remember that the next time a piece I’m working on causes me so much pain.

Needlepoint lace

January 5th, 2010

A few years ago, I traveled to Venice, Italy to learn to make needlepoint lace the way it is traditionally made on the island of Burano. It was an experience I’ll never forget. I learned a lot about the part of the world my parents came from, I learned a lot about myself, and I learned to make “punto in aria” lace. Much of  what I learned during that visit to my favorite place in the world has been “translated” into my current quilt series.

Today, I ran across a great website with an online tutorial on creating needlepoint lace. Although the technique I learned in Venice is slightly different, the website below covers the basic steps for making lace on a solid paper foundation, using mostly blanket-stitches to create the designs. It’s a wonderful tutorial that’s worth a look. Check it out.

Needlepoint Lace Tutorial « textile dreams – fibery wake up.

Crochet, anyone?

December 20th, 2009

I’ve been asked to teach a crochet class at at local adult eduction center, so I’ve been doing a little internet research to find out what’s out there in the crochet world. I am now completely convinced that one can find ANYTHING that one needs on the internet. Absolutely anything. I’m not kidding. Here is proof:

PsychoticTomatoPattern.