Archive for the ‘personal’ Category

New school year, new machine dust cover!

Friday, September 3rd, 2010

The new school year is about to begin. I am anticipating lots of reading, lots of homework, and lots of exciting learning. Unfortunately it also means that my sewing machine will sit patiently waiting for me while I ignore it more often than usual.

But from now on . . . it’s not going to collect dust!  Voila! . . . a new dust cover for my sewing machine!

Some people start the new school year by buying school supplies. I make sewing machine covers. Go figure.

A few days ago I spent some happy hours in my studio sorting through old quilt tops, deciding which were worth keeping for “someday” and which should go to comfort quilts or even to the trash bin. When I came across the black and white composition I had pieced  five years ago in Nancy Crow’s class at QBL, I was uncertain about what to do with it. I just couldn’t part with it.  But I certainly didn’t want to make it into a quilt. And so it became one of those “just can’t part with it” quit tops that we all keep around for no reason. I looked at it for a while, shrugged my shoulders, re-folded it, and put it back in the drawer.

This morning I thought I’d spend a little time puttering in my studio before the school year grabs me by the throat. In search of inspiration, my eyes landed on my sewing machine. The poor thing had no idea it was going to be neglected so soon. But at least it will collect dust no more! It is now lovingly adorned with a cover fashioned from two pieces cut out of that black and white Nancy Crow workshop quilt top. It took almost no time to cut out two 23″ x 13″ pieces from the quilt top, layer them, quilt them lightly, sew them together on three sides, hem the bottom, and “square up” the corners. Ta-da! All done!  Now, when I’m not working at my machine, I can admire its spiffy new cover while I reminisce about how much I learned in that workshop with Nancy Crow, and dream about  how I hope to be able to study with her again some day.

Oh . . . here’s the back view:

Cute, huh? I wonder what I can do with the rest of that quilt top?

Getting nervous about “that” quilt show

Monday, August 30th, 2010

Tomorrow I will visit the photographer. He will take professional photos of two of my quilts. Then, I will enter them in “that” quilt show. I wouldn’t be telling the truth if I said entering this quilt show didn’t make me nervous. It really, really does. This is nothing new. The process of filling out the form makes me nervous every two years.

Do you remember when you were a little kid and you wanted a particular toy? Maybe you’d seen it on TV, or maybe one of your little friends owned it. I remember it well. For me, it was a Barbie doll owned by my friend Marisa. That doll, beautiful to my childish eyes, was perfect. She was blonde, she was svelte, she was incredibly grown-up with her well developed figure and her high heeled shoes and classy clothing. I wanted her more than anything I’d ever wanted before.

I knew that my mother didn’t approve of Barbie’s grown-up figure, and didn’t want me to have one. So I never asked for her at Christmas or for my birthday. But I wished for that Barbie doll on every star I saw, and I whispered her name at night in my little bed before falling asleep on Christmas Eve. I never said it out loud, though. I never actually said, “I wish I could have a Barbie doll.”

I never did get a Barbie doll. Maybe I would have if I had asked?

Well, I’m not going to let that happen again. I realize that I feel the same way about having my quilt accepted into this quilt show that I did about owning that Barbie doll. I want it really, really badly. In fact, I want it so much that I can’t even say it out loud. Isn’t that silly?

Perhaps not. Perhaps when we want something that badly, we begin to think like little children.

Well, I’m going to try to be an adult about this. I am going to say it out loud (but I’ll still keep my fingers crossed, and hope that saying it doesn’t jinx me).

I really, really want to have a quilt accepted into this show.

Star light, star bright, first star I see tonight. I wish I may, I wish I might, get the wish I wish tonight!

Reflecting on a review.

Wednesday, February 24th, 2010

Recently, a review of a show by one of my favorite people and favorite artists, Nancy Crow, has been a hot topic of discussion on two of the mailing lists that I read regularly. I’ve found both the review and the discussion to be quite thought provoking. The review, by Cate McQuaid, which ran in the Boston Globe, can be found here.

On those mailing lists, (which I read faithfully but in which I never participate) much ado has been made about the use of the word “quilt” in describing our art. I have always avoided the word “quilt” when describing what I do, especially when I’m trying to explain my art to someone in the fine art world. Say the word “quilt” and images of grandma in a rocking chair are sure to pop up. I’d rather just avoid that. Instead, I have used “textile artist” to describe myself. It’s easier to go from there to an explanation about how my pieces are grounded in the tradition of quilt making but travel a different route, not meant for the bed but instead for the wall. Or something like that, anyway. <grin>

It occurs to me that I’m a bit of a purist when it comes to my art. I like to use fabric and thread in my pieces, and nothing else. Occasionally I will use paint or colored pencils if I feel that the fabric I’ve chosen is not working exactly the way that I had in mind. But for the most part, I am not comfortable using “stuff”. My personal definition of “stuff” is: that which makes lots of art quilts look as if they were made by a “second-grade girl.” (Calm down, those are not my words, that’s what the reviewer said!)  I truly hope not to offend anyone who likes to use those “quilt-art” type of materials. It is simply my intent to say what I feel, which is a very personal thing!  I have avoided using “stuff” in my own work, except for a bit of experimentation with friends. A lot of it is really fun to play with, but I’m not so sure that the end result is really “art”.

I will continue using fabric and thread to make my art, and I will continue to use the three layers, (fabric, batting and fabric) paying tribute to the quilt making tradition. I like the softness and shadows that are created when the thread compresses the fabric and batting — I think that it’s beautiful, and it’s completely different from the look that is achieved by any other type of art, be it sewn, drawn or painted.

Just my opinion.

Machine let-down

Thursday, February 18th, 2010

I’ve been working hard on the fourth quilt in my Venetian lace series. It’s progressing quite nicely. The stitches were flowing smoothly and gently from underneath the needle of my machine when the trouble began. Suddenly, the track-ball of my beloved Bernina 1530 refused to budge. No matter how I coaxed it, cooed to it, cajoled or caressed it, it just wouldn’t move. Damn! Time for repair!

And then I realized it. I haven’t been following my own advice. I always tell my students how important it is to bring their machines in for a day of beauty once a year. A yearly tune-up is so very important! With my move to Vermont, and then back here to Westchester again, I completely forgot to get my machine serviced! It was due to be done at least a year and a half ago, when I began having trouble with the foot pedal. Instead of having it taken care of immediately right then and there, I put it off. With a move imminent, and so much to do, I decided instead to simply switch the foot with the one from my other machine, a 1630. And I’ve been using the other foot pedal with my 1530 ever since.

So the time has come to bring my darling machine to the shop for a cleaning and repair — and this time, I’ll be bringing the machine to a shop I’ve never used before, since I live much further south in Westchester county than I used to. It’s a bit scary using a new service tech. It’s sort of like a new surgeon operating on a favorite body part. In fact, I remember feeling just this way just before my carpal tunnel surgery!

Well, at least I have the 1630 to use until the repair is completed. I like the machine, and I did buy it years ago for just such an emergency, but it doesn’t feel like an extension of my hands, the way my 1530 does. Even though the two machines are so very similar, the feel is different. The motor moves just a little bit differently, and I have to really think about each movement, instead of just letting it happen naturally.

Well, hopefully my faithful 1530 will simply need a cleaning to be back to her old self. And hopefully, that foot pedal problem will be a simple fix, too. My fingers would be crossed if I didn’t need them to continue working!

Less quilting, more thinking and reading

Wednesday, January 13th, 2010

Well, the apartment is too small for me to work in the “studio” (a.k.a. second bedroom) while the boy-child is home on his winter break. So that means I’ve got plenty of time for reading, hand-work, beading, knitting, crochet and thinking. Ah, thinking. Sometimes a less-than-pleasant activity, thinking deeply can be more like cleaning the bathroom than imagining a visit to the Bahamas. In that vein, my friend Lynn (who has no blog, so I can’t link to her) recommended that I read a book by Pema Chodron titled When Things Fall Apart: Heart Advice for Difficult Times.  So, I took it out of the library.

I’ve been enjoying it slowly, reading a little bit every night. That’s very different from the way I usually read, which is actually a lot more like devouring than reading — I’m a fast, fast reader. But this book is so full of good and practical advice that it makes me want to slow down and savour every chapter. I mentioned to Lynn the other day that I’d begun reading it, and she asked me if I was enjoying it. I told her, truthfully, that I was, mostly because even though the author is a Buddhist nun, and I had been expecting lots of existential buddhist-y stuff, what I found instead was lots of practical advice that I could easily apply to my everyday life. Good stuff.

Last night I read chapter ten, in which the author discusses the three truths of our existence: impermanence, suffering and egolessness. She writes that these three truths should be celebrated. It was my very favorite chapter so far. First, impermanence. Whoa, that’s a loaded one. Nobody likes to think about the fact that we’re not permanent. The very fact that we are human means that each of us will have an end. And really, who wants to celebrate that? This is what Pema Chodron has to say about it:

People have no respect for impermanence. We take no delight in it; in fact, we despair of it. We regard it as pain. We try to resist it by making things that will last–forever, we say–things that we don’t have to wash, things that we don’t have to iron. Somehow, in the process of trying to deny that things are always changing, we lose our sense of the sacredness of life. We tend to forget that we are part of the natural scheme of things.

I find it so comforting, in a weird sort of way, to realize that nothing we make is going to last forever. It takes a lot of the angst out of it for me, in a way I can’t really explain.

The second truth discussed in the chapter is suffering. In her writing about suffering, the author says:

Inspiration and wretchedness are inseparable. We always want to get rid of misery rather than see how it works together with joy. The point isn’t to cultivate one thing as opposed to another, but to relate properly to where we are. With only inspiration, we become arrogant. With only wretchedness, we lose our vision. Feeling inspired cheers us up, makes us realize how vast and wonderful our world is. Feeling wretched humbles us. The gloriousness of our inspiration connects us with the sacredness of the world. But when the tables are turned and we feel wretched, that softens us up. . . . It becomes the ground for understanding others.

I loved this! It makes so much sense to me that arrogance is the end result of too much inspiration with not enough pain to go along with it. I have to try to remember that the next time a piece I’m working on causes me so much pain.

Needlepoint lace

Tuesday, January 5th, 2010

A few years ago, I traveled to Venice, Italy to learn to make needlepoint lace the way it is traditionally made on the island of Burano. It was an experience I’ll never forget. I learned a lot about the part of the world my parents came from, I learned a lot about myself, and I learned to make “punto in aria” lace. Much of  what I learned during that visit to my favorite place in the world has been “translated” into my current quilt series.

Today, I ran across a great website with an online tutorial on creating needlepoint lace. Although the technique I learned in Venice is slightly different, the website below covers the basic steps for making lace on a solid paper foundation, using mostly blanket-stitches to create the designs. It’s a wonderful tutorial that’s worth a look. Check it out.

Needlepoint Lace Tutorial « textile dreams – fibery wake up.

A new use for fabric scraps

Monday, December 14th, 2009

My friend Susan‘s little dog sits nicely on her lap while she quilts. My little dog doesn’t.

While I’m busy quilting, Topolina is busy, too. Yesterday, I noticed that she was running back and forth between the living room and my studio, carrying in her mouth small pieces of fabric that she’d stolen from my scrap basket.  And then she would come back in for more, run back out again, and repeated the process over and over again. I wondered what she was doing with all that fabric … and my curiosity finally got the better of me, so I went to see.

This is what I found on the living room couch.

DSC03104

Seems my little Topolina likes fabric just as much as I do!