Very, very busy!

March 18th, 2010

Well, I’ve been playing catch-up with lots of “stuff.” I’m still working diligently on Venetian Lace #4, which is coming along very nicely. I am loving the look of the background quilting. I think it’s going to be good.

I’ve also put together three new small pieces, one 12 x 12 and the other two 8 x 8. The 12 x 12 is completely finished (well, I still have to sew down the facing to the back, but other than that, it’s done). Of the two small pieces, one still needs a little bit of design work, and the other is completely fused. The stitching will be done by hand. Yes, I actually wrote those two words — BY HAND. I know, I know.  So strange for me to work by hand. But I’ve been hearing a lot about this “slow cloth” thing. And it’s relaxing. So, we’ll see how it goes.

Reflecting on a review.

February 24th, 2010

Recently, a review of a show by one of my favorite people and favorite artists, Nancy Crow, has been a hot topic of discussion on two of the mailing lists that I read regularly. I’ve found both the review and the discussion to be quite thought provoking. The review, by Cate McQuaid, which ran in the Boston Globe, can be found here.

On those mailing lists, (which I read faithfully but in which I never participate) much ado has been made about the use of the word “quilt” in describing our art. I have always avoided the word “quilt” when describing what I do, especially when I’m trying to explain my art to someone in the fine art world. Say the word “quilt” and images of grandma in a rocking chair are sure to pop up. I’d rather just avoid that. Instead, I have used “textile artist” to describe myself. It’s easier to go from there to an explanation about how my pieces are grounded in the tradition of quilt making but travel a different route, not meant for the bed but instead for the wall. Or something like that, anyway. <grin>

It occurs to me that I’m a bit of a purist when it comes to my art. I like to use fabric and thread in my pieces, and nothing else. Occasionally I will use paint or colored pencils if I feel that the fabric I’ve chosen is not working exactly the way that I had in mind. But for the most part, I am not comfortable using “stuff”. My personal definition of “stuff” is: that which makes lots of art quilts look as if they were made by a “second-grade girl.” (Calm down, those are not my words, that’s what the reviewer said!)  I truly hope not to offend anyone who likes to use those “quilt-art” type of materials. It is simply my intent to say what I feel, which is a very personal thing!  I have avoided using “stuff” in my own work, except for a bit of experimentation with friends. A lot of it is really fun to play with, but I’m not so sure that the end result is really “art”.

I will continue using fabric and thread to make my art, and I will continue to use the three layers, (fabric, batting and fabric) paying tribute to the quilt making tradition. I like the softness and shadows that are created when the thread compresses the fabric and batting — I think that it’s beautiful, and it’s completely different from the look that is achieved by any other type of art, be it sewn, drawn or painted.

Just my opinion.

Machine let-down

February 18th, 2010

I’ve been working hard on the fourth quilt in my Venetian lace series. It’s progressing quite nicely. The stitches were flowing smoothly and gently from underneath the needle of my machine when the trouble began. Suddenly, the track-ball of my beloved Bernina 1530 refused to budge. No matter how I coaxed it, cooed to it, cajoled or caressed it, it just wouldn’t move. Damn! Time for repair!

And then I realized it. I haven’t been following my own advice. I always tell my students how important it is to bring their machines in for a day of beauty once a year. A yearly tune-up is so very important! With my move to Vermont, and then back here to Westchester again, I completely forgot to get my machine serviced! It was due to be done at least a year and a half ago, when I began having trouble with the foot pedal. Instead of having it taken care of immediately right then and there, I put it off. With a move imminent, and so much to do, I decided instead to simply switch the foot with the one from my other machine, a 1630. And I’ve been using the other foot pedal with my 1530 ever since.

So the time has come to bring my darling machine to the shop for a cleaning and repair — and this time, I’ll be bringing the machine to a shop I’ve never used before, since I live much further south in Westchester county than I used to. It’s a bit scary using a new service tech. It’s sort of like a new surgeon operating on a favorite body part. In fact, I remember feeling just this way just before my carpal tunnel surgery!

Well, at least I have the 1630 to use until the repair is completed. I like the machine, and I did buy it years ago for just such an emergency, but it doesn’t feel like an extension of my hands, the way my 1530 does. Even though the two machines are so very similar, the feel is different. The motor moves just a little bit differently, and I have to really think about each movement, instead of just letting it happen naturally.

Well, hopefully my faithful 1530 will simply need a cleaning to be back to her old self. And hopefully, that foot pedal problem will be a simple fix, too. My fingers would be crossed if I didn’t need them to continue working!

A day with the Pelham Quilters

February 15th, 2010

Saturday was a very special day, because I got to spend it with my buddies, the Pelham Quilters! It was the first time I have “officially” taught my new Improvisational Flowing Lines workshop, and I have to say, it went off pretty well! I have test-run the workshop with my friends in the past (they are my usual willing guinea pigs!). My friend Susan really took off with the technique, incorporating it into her beautiful quilts. My friends Linda and Georgia had a good time learning the technique, but as yet, have not completed their tops.

The ladies of the Pelham guild were very enthusiastic about learning this new-to-them technique, and had all sorts of ideas about how they were going to incorporate it into their own work. Here are some photos that I took during the workshop . . .

This first one shows a very happy Lorraine, the guild president, fondling the beautiful flowing lines that she created:

And here is Millie, hard at work piecing at her machine:

In the next photo are Doris and Evelyn at the cutting table, both seriously contemplating their next cut . . .

And next is Jean, hard at work at her machine.

Here is my friend Renee Fleuranges-Valdes, rotary cutter in hand, ready to add to her beautiful, colorful and soft flowing lines.  See that big smile on her pretty face? It was there ALL day! Renee wrote about her experience at the workshop on her blog. where she had some very kind things to say about me and the workshop — Thank you, Renee, you made my day!


Here’s Lorraine again. She took to the improvisational technique of cutting and quilting like a duck to water. With her background in fashion sewing, she was very comfortable cutting and sewing curves. She had no trouble “loosening up” and choosing from her pile of beautiful fabrics with wild abandon!

Here’s a photo of  Millie’s piece, as she contemplated whether or not to add a some four patches in with her flowing lines — she later decided to go ahead and piece them in, and the result was amazing, as you will see in the group shot at the end of this post.  Aren’t her colors just gorgeous?

And here is the group, proudly showing off their beautiful work. I was so impressed with how each woman made the technique her own by using her own palette of fabrics and colors.

By the way, see what Millie did by adding traditional 4-patches? She’s over on the far left of the above photo. What a creative way to incorporate her own touch into the piece! Doris, standing just to the right of Millie, used just a small amount of bright yellow in her piece, which she appliqued on to her strips before piecing them in.  Cheryl, standing on the far right of the photo, turned her piece 90 degrees and added a strip down the center. It will be one side of a tote bag. Jean, kneeling in front of Cheryl, used beautiful fabrics in earthy colors to make a piece that is so appealing, and so very different from the others!

I’m thrilled that the workshop was a success! I want to thank the wonderful Pelham quilters for their enthusiasm. Also, thanks for the really good snacks. Lorraine is a fantastic baker — her brownies were delicious, and oh, that banana chiffon cake — yummy!!!

Quilting begins on #4

February 8th, 2010

Today I began the quilting on my new piece. Because this quilt has a lot of empty background space, I get to experiment with new ideas about how to fill it up. What fun!  I’ve come up with one that I think is a winner.  I like the idea of adding “invisible” circles to the background. . .   Of course, it’s difficult to know how it will look when the entire background is filled. But then again, I’ll have the pleasure of quilting lots and lots of empty circles in the meantime. I enjoy doing this “free motion blanket stitch” so much!

I got carried away and worked right through dusk — before I knew it, I looked up from my sewing machine and saw reflection of the sun setting in the building across the street.

Now it’s time to stop for dinner. More tomorrow!

Venetian Lace is subversive — who knew?

February 4th, 2010

Subversive Stitchers: Women Armed With Needles is the extremely cool blog of Dawn Goldsmith.  I’m so honored that Dawn has featured my quilt “Venetian Lace #1″ on the sidebar of her blog.  She had such nice things to say about the series, too. Thank you, Dawn!

Do check out her blog, which she describes as “a writer’s look at the quilting and quilt art community and anything else fabric”.  She features frequent guest bloggers from the quilting world. (She’s asked me to be one, and I really have to get to work on that!) Dawn has a knack for collecting interesting and fun information and I adore the title of her blog — how great is “women armed with needles” I ask you? What an image it conjures in my mind!

The next in the series

February 3rd, 2010

I spent all day yesterday in the studio working on the fourth quilt in my Venetian Lace series. I debated with myself about whether I wanted to put an in-process picture on the blog, unsure about whether I wanted to share a photo before the top is completed . . . .  and then I decided it’s probably best to keep it to myself.

I’m not done yet. the design is partly fused, but I’m still debating about placement . . . perhaps not. I’m not sure yet. I hope to be able to spend some time in the studio tomorrow working on it. Or maybe I won’t wait until tomorrow. I’m so excited about it that I may just work on it all night long — who needs to sleep, right? Oh, if only that was true!

The background fabric  is a one and a half yard piece that I dyed a during a marathon dying session that Susan Schrott and I had last summer. I think it’s really beautiful, and I feel as if the “lace” on top of it just makes it sing! I love the transitions from red to brown with a little bit of grey mixed in. It’s difficult to see color in my studio, and that is really terrible!  I  have to get around to doing something about that. It’s great when the sun is shining, but on a cloudy day, or at night, I can’t really see color on my design wall very well. I do have good lighting at my machine, thank goodness. I can’t imagine not having good lighting when I’m doing the free-motion blanket stitching. Whew, that would be terrible! My good old floor Ott light is aim-able (is that a word?) and it works great for the detail work that I do at the machine.

Well, stay tuned to find out if I really do stay up all night!